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| Per Persson asserts that spectators interpret, feel or make use of knowledge, assumptions, expectations and prejudices when viewing film. Persson explains how close-ups, editing conventions, character psychology and other cinematic techniques work, and how and why they affect the spectator. Utilizing examples from early and contemporary cinema, the book also analyzes the design of cinema conventions and their stylistic transformations through the evolution of film. |
| By
nicogranada
on Aug. 5 2007 |
Size:
10.9MB |
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798 View(s)
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| Tags:
filmmaking
,cine
,cinema
,cinematografia
,psychology
,psicologia
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| In this outstanding book on production design, LoBrutto, an independent filmmaker and freelance film editor, goes to great lengths to cover the essentials-storyboarding, set decoration, budgeting, architecture, screenwriting, props, and wardrobe. He begins with an explanation of and introduction to design before dedicating a chapter to each particular facet of production, including one on genres with useful research techniques. |
| By
nicogranada
on Aug. 5 2007 |
Size:
3.1MB |
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866 View(s)
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| Tags:
filmmaking
,cine
,cinema
,cinematografia
,production
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