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Hitchcock Dances - Sands of Ilium - eSnips, share anything
Hitchcock Dances - Sands of Ilium.mp3
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From hitchcock dances folder
Uploaded by: Sharrukin From United Kingdom
Joined on Mar. 23 2007
Recorded on the 17th of September 2008. Uploaded on the 21st. A pattern piece combining Yamaha electric piano and Marimba, running for just over 8 minutes. The relationship between the parts is subject to subtle change throughout.
Added to hitchcock dances folder on Sep. 21 2008
Size: 12MB
Communities: Experimental Art , Industrial
Tags: keyboard , instrumental , experimental , industrial , minimalist , ilium , sands
Folder Tags: experimental , industrial , gothic , synth , serial , minimalist , post-minimalist , totalist
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spiderdlb writes:
Dear Perlesvaus,
Yes, Dick Le Burgh does tend to be a little eccentric. On reading your response, did he immediately don his headphones and get studying? Oh. no, he gleefully commented that last time he tried to use the central line it wasn't so much inverted as static! A lengthy succession of London Underground jokes ensued, culminating, inevitably, in his loudly exclaiming, 'Mornington Crescent!'
Very happily downloaded, and being listened to attentively!
With best wishes,
Spider dlb.
Added on Oct. 14 2008
sixsixtysix writes:
Check
Added on Oct. 11 2008
Sharrukin writes:
Dear Spider dlb,
 
Dick Le Burgh is right in spotting maximal 303 sequencer action here, but otherwise he is off the mark. There are more than 15 significant interventions in the course of the piece, and in two places the dynamic of the central line is completely inverted.
 
Download box ticked!
 
Best wishes, Perlesvaus
 
 
Added on Sep. 25 2008
spiderdlb writes:
I'd add 'compelling'! A real pace-setter. I've run it through the Spider Spectacle Incinerator a dozen times now, but we're not even close to cracking the code! Dick Le Burgh says, 'Hey, just let it happen!', and I guess he's right. But the craft is admirable. Discipline!!
With best wishes,
Spider dlb.
Added on Sep. 24 2008
Fluxliner writes:
If I had to describe the song in one word, it would be hypnotic. And you recorded this in real time? Well, then this is an even greater achievement, of course.
Then the clarity of it...mmmh...tasty! John Adams meets Philip Glass (on amphetamines). I am definitely inspired now!
 
And thank you very much for your recent comments!!
Added on Sep. 23 2008
Miss P. writes:
Certificate Dear Perlesvaus,
 
yes, I do agree with BG, but I am not able to speak in such technical terms...Wink
 
This is truly amasterpiece, can get you into trance.
Intruiging, and beautiful.
 
Thank you,
 
best wishes
Philo
Added on Sep. 22 2008
Sqwerty Bertie writes:
Crikey! I'm in heaven! Enthralled by this: the patterns, most definitely, but also the shifting emphasis, and ghosting textures - hints at 'orchestral' chord shapes - woven by the reverb.
 
All the Best ~ BG
Added on Sep. 22 2008